Tuesday, November 11, 2025

Emily Carr and the War Years: Life in Victoria During WWI

 ๐ŸŒบ Emily Carr and the War Years: Life in Victoria During WWI

November 11th — Armistice Day, now known as Remembrance Day — always invites us to pause, to listen to the echoes of another time. While the world marks the end of the Great War in 1918, I’ve been reflecting on what life was like here on the West Coast — especially through the eyes of Emily Carr, our beloved artist and storyteller.

Emily was born in 1871, so when the First World War began in 1914, she was already in her forties — not a young painter starting out, but a woman who had lived through disappointment, frustration, and fierce independence.


๐Ÿ  The House of All Sorts

By 1913, Emily had returned to Victoria from her travels to Indigenous villages along the coast. Full of vision and courage, she opened a boarding house on Simcoe Street — a place she called “The House of All Sorts.”

What she hoped would bring financial stability soon became a daily battle. Tenants came and went. Repairs piled up. Emily scrubbed, mended, cooked, and hauled water until her body ached. She was a woman trying to stay afloat in a world that didn’t yet value her art or her spirit.

Yet through the weariness, she kept a small corner of her soul reserved for painting — sometimes just quick sketches, sometimes notes for ideas she’d revisit years later.


๐Ÿ• The Dog Years

After the war years, Emily shifted again — this time into raising dogs, particularly Old English Sheepdogs. She became one of the top breeders in Canada, showing her dogs and even writing about them.

Between the chores, the noise, and the care of over 300 dogs, painting seemed far away — yet these years built the resilience and observation that would later burst out in her art.


๐Ÿ•Š️ Victoria During the Great War

Life in Victoria between 1914 and 1918 was complex — a blend of patriotism, anxiety, and the quiet endurance of an isolated city.

  • Esquimalt Naval Base buzzed with military activity, and ships came and went loaded with men, goods, and hope.
  • ๐ŸŽ–️ Families gathered for fundraising teas, parades, and knitting circles, sending parcels overseas.
  • ๐Ÿž Rationing affected daily life: sugar, flour, and butter became scarce, and gardens became essential.
  • ๐Ÿฆ  By 1918, the Spanish Flu struck Vancouver Island hard, closing schools and churches, claiming thousands of lives just as peace was declared.

Victoria, known for being “more British than Britain,” was both elegant and constrained — corsets, tea times, and strict manners — but also starting to soften. The war, loss, and distance changed people. Women took on new roles; society began to shift.


๐ŸŽจ Emily’s Spirit Through It All

While Emily wasn’t painting her great forest works yet, her artistic soul never slept. She wrote later about that time as one of struggle and self-reliance — years that tested her courage.

Her art, when it finally re-emerged in the 1920s, carried the power of survival. You can see the echoes of the war years in her brushstrokes — the loneliness, the endurance, the strength of roots and trees that weather every storm. ๐ŸŒฒ


❤️ Then and Now

As we stand here today, on Remembrance Day, we think of Emily and the world she lived in — a world shaken by war, yet full of quiet acts of bravery.

Much has changed — no gas lamps, no ration books, no horses in the streets — and yet, some things feel the same. We’re still learning how to care for each other, how to rebuild, how to honour sacrifice and hold compassion in our daily lives.

Emily’s life reminds us that art, perseverance, and empathy are forms of remembrance too.


๐ŸŒบ “May we remember not just the soldiers, but the artists, mothers, teachers, and dreamers who kept the spirit of humanity alive.”


#EmilyCarr #RemembranceDay #WWI #VictoriaBC #CanadianArt #WomensHistory #HouseOfAllSorts #BCHistory #ArtAndResilience #ArmisticeDay #zipolita #Emilys2ndAct



Thursday, October 2, 2025

Seaforth Peace Park-Next Week!!

๐ŸŽจ MEXICO OR BUST! ๐ŸŒž

๐Ÿ‘ฉ‍๐ŸŽจ Hi everyone! I’m Tina Winterlik (aka Zipolita), and I also play Emily's 2nd Act! Next week, the weather looks amazing, and I’ll be painting in Seaforth Peace Park ✌️.

Please come by, say hello, and check out my paintings ๐Ÿงœ๐ŸŒˆ๐Ÿ–ผ️๐ŸŽจ๐Ÿ–Œ️. Your support helps me raise funds to follow my dream journey to Mexico!

๐Ÿ’– My Dream Journey:

  • ✈️ Fly into Cancรบn
  • ๐Ÿš† Take the new Maya Tren to Palenque
  • ๐Ÿฆ‹ See the Monarch Butterflies in November
  • ๐Ÿ’€ Celebrate Dรญa de Muertos in Zipolite — Oct 26, 27, 28 ๐ŸŽ‰
  • ๐ŸŒบ This year’s celebration in Zipolite will be incredible — artists, musicians & dreamers from everywhere are invited to share their talents for a grand festival of life & remembrance. ๐ŸŒŠ✨

Can’t wait to see you at Seaforth Peace Park next week! ๐Ÿ’•

Tina Winterlik at 4:45 AM

Wednesday, April 30, 2025

Missing In Action

 Hey kids, sorry for no posts but I have been busy. I am couchsurfing and painting murals, cleaning friends houses and riding my bike and walking the beach, so living the good life for most part. Easter was nice and the cherry blossoms have been heavenly. Always lovely time of year to be outside a lot. 


We had an election. It was a big deal and a great win for democracy, human rights and praying good things happen for all of us.


I have been painting murals, that's great fun. I met a teacher last week and she wants to help so maybe we can do something with kids. That would be fun


Ok touch base soon. Still working on costume design.


I will post my Adventurez soon. Stay Tuned!

Wednesday, March 12, 2025

Honoring Anna Banana

 Honoring Anna Banana๐ŸŒ: A Creative Walk๐Ÿ–Œ️๐ŸŽจ & Picnic in Vancouver

Have you ever heard of Anna Banana? She was a legendary artist in Vancouver’s art scene, known for her playful and rebellious approach to art. In 1973, she made her mark by walking to the Vancouver Art Gallery with a banana, fully embracing absurdity and creativity in a way that challenged the seriousness of the art world.

Anna was a pioneer of mail art, performance art, and conceptual art, always finding ways to engage the public in artistic expression. Her work was joyful, unexpected, and deeply inspiring. She reminded us that art is not just for galleries—it’s for the streets, for everyday life, and for everyone.

Inspired by her spirit, I’ve been thinking… Why not do something similar?

A Creative Picnic & Art Walk!

I’d love to invite fellow artists, creatives, and free spirits to gather in the Peace Park for a picnic, then walk together to the Vancouver Art Gallery, just like Anna did. But let’s add our own twist:

  • Bring a banana ๐ŸŒ (of course!)
  • Bring a piece of your art ๐ŸŽจ—whatever you love to create, whether it’s a small painting, a poem, a handmade craft, or a sketchbook.
  • Let’s make it fun and spontaneous! Maybe we share art, trade pieces, or even leave a few surprises for strangers to find along the way.

This isn’t about making a statement—it’s about celebrating joy, art, and community. It’s about reclaiming public space for creativity and honoring the artists who paved the way for unconventional expression.

Would you be interested in joining? Let me know in the comments, or message me if you have ideas to make this even better!

Let’s go bananas for art—Anna would approve!

#ArtForEveryone #VancouverCreatives #AnnaBanana #PeaceParkPicnic #BananaArtWalk


Tuesday, March 11, 2025

Emily Carr’s Family Mystery

 Emily Carr’s Family Mystery: Why Did Her Sisters Never Marry?

Emily Carr is celebrated as one of Canada’s most iconic artists, known for her vivid paintings of British Columbia’s landscapes and Indigenous cultures. But beyond her art, her family history holds some fascinating mysteries—ones that might still be uncovered today.

A Household of Unmarried Women

Emily was one of nine siblings, but only one sister, Clara, ever married—a striking fact for a Victorian-era family. Even more unusual? Clara’s husband abandoned her, and none of the other sisters ever wed. Why?

Victorian society placed huge pressure on women to marry, especially in religious, middle-class families like the Carrs. Had their parents lived longer, they likely would have arranged or strongly encouraged marriages for all their daughters. But after their mother passed in 1886 and their father in 1888, the Carr sisters were left to make their own choices—and they chose each other over marriage.

Perhaps Clara’s failed marriage soured the idea of relationships for her sisters. Or maybe they valued their independence and bond as sisters too much to trade it for the constraints of married life.

Emily’s Rebellion and Lifelong Independence

Emily, always the rebel of the family, didn’t just reject marriage—she rejected Victorian expectations entirely. She was passionate about nature, Indigenous culture, and art, and she spent much of her life pursuing her creative vision, even when it meant financial hardship and social isolation.

Could her independent streak have been influenced by her sisters’ choices? It’s possible. Without marriage as an expectation, Emily was freer to dedicate her life to art, despite the struggles she faced as a female artist in Canada at the time.

A DNA Mystery Waiting to Be Solved?

Another intriguing element of Emily Carr’s story is her ancestry, particularly on her mother’s side. Her mother, Emily Saunders, may have been born out of wedlock in England, raised by adoptive or foster parents. If true, this means Emily Carr’s maternal lineage might be more mysterious than previously thought.

Today’s DNA technology could help unravel these family mysteries. If a descendant of Clara Carr’s children were to take a genealogy DNA test, we could gain insights into Emily’s ethnic heritage, deep ancestry, and even possible unknown relatives.

So far, no known Carr descendant has publicly shared DNA results—but wouldn’t it be fascinating if they did?

What Do You Think?

Emily Carr’s story is filled with unanswered questions. Why did her sisters choose to remain unmarried? What secrets might DNA testing reveal about her ancestry? Could modern genealogy help us understand her family’s past in ways history never could?

If you’re as curious as I am, share your thoughts! And if you know of any Carr family descendants interested in genealogy, maybe they hold the missing piece to this fascinating puzzle.

Saturday, March 8, 2025

Finding Hannah Maynard – A Forgotten Pioneer & a Personal Discovery

#FightBackWithArt

#WarriorUpWithArt

๐Ÿ“ท๐Ÿšฒ๐Ÿค—๐ŸŽจ๐Ÿ–Œ️✍️๐Ÿ“˜๐Ÿ”ฅ๐Ÿ˜Ž๐ŸŒŸ

Happy International Women's Day 

Finding Hannah Maynard – A Forgotten Pioneer & a Personal Discovery

Introduction
Photography has the power to connect us across generations. Sometimes, it even brings unexpected discoveries—like when I recently learned about Hannah Maynard, a trailblazing photographer who ran a studio in Victoria, BC, from 1862 to the early 1900s. Despite studying professional photography at Langara College, I had never heard of her until the Royal BC Museum shared an Instagram story about her.

Her work is now inspiring me to take a deeper look at my own family history. It turns out my great-great-grandfather arrived in BC in 1862, the same year Maynard opened her studio—a strange coincidence that makes me wonder if our paths (or at least our family stories) have crossed before.


Hannah Maynard: The Woman Who Defied Photography Norms

Hannah Maynard wasn’t just a portrait photographer—she was a creative force ahead of her time.

  • She experimented with surreal techniques like multiple exposures and photomontages long before Photoshop existed.
  • She took self-portraits that challenged Victorian conventions—including one of her riding a bike in the 1890s.
  • She photographed Indigenous communities, though her work must be examined in the context of colonial documentation.

Maynard ran her Victoria studio for over 50 years—a remarkable achievement for a woman in the 19th century. And yet, I never learned about her in photography school.


A Personal Connection: A Mourning Portrait in My Family Archive?

After discovering Maynard’s story, I started thinking about an old family photo of my great-great-grandfather, great-grandfather, and great-grandmother. My mother once thought it was a wedding portrait, but my great-grandmother is dressed entirely in black—which now makes me wonder if it was actually a mourning photo.

In the early 1900s, mourning photography was a common practice. Families dressed in black, posed formally, and sometimes included symbolic objects to honor lost loved ones. My great-great-grandfather kept a diary listing multiple family losses, which adds another layer of mystery. If the photo was taken in Victoria before 1915, there’s even a chance it could have been taken by Maynard’s studio or a photographer influenced by her style.


Lost History & The Transition from Film to Digital

This discovery also makes me reflect on my time at Langara College in 1995. I was part of one of the last classes to transition from film to digital, and I remember how difficult it was to leave the darkroom behind. Two of my instructors retired shortly after our program ended, and while they passed on incredible technical skills, I now realize there were huge gaps in what we were taught.

No one mentioned Hannah Maynard—a local, groundbreaking woman photographer—and that’s a shame because I know she would have inspired me deeply.

Photography has always been about change. The switch from film to digital in the ‘90s echoes the way Maynard pushed the boundaries of photography in her time. She didn’t just take portraits—she experimented, innovated, and created images that still feel modern today.


Are My Ancestors Helping Me Piece This Together?

It feels like my ancestors are nudging me to put the pieces together.

  • 1862: Maynard opened her photography studio in Victoria. My great-great-grandfather arrived in BC the same year.
  • 1915 or earlier: A mysterious family portrait may actually be a mourning photo.
  • 1995: I was in one of the last Langara photography classes to use film, unaware of Maynard’s legacy.
  • 2024: The Royal BC Museum’s Instagram story led me to this discovery.

This journey reminds me that history isn’t just something we read about—it’s something we carry with us, sometimes without even realizing it. Maybe my ancestors are freaking out (in a good way!), trying to guide me toward a deeper understanding of my own family’s past.


Final Thoughts: Let’s Bring Maynard’s Story Back

Hannah Maynard deserves more recognition. She wasn’t just a photographer—she was an artist, innovator, and entrepreneur who defied expectations in a male-dominated field.

If you’re a photographer, history lover, or someone who believes in preserving women’s contributions to art, I encourage you to explore her work. Her photographs are housed at the Royal BC Museum, BC Archives, and Library and Archives Canada. Some may even be in the public domain, available for sharing.

I’m still on a journey to uncover the truth behind my family’s old photos. Maybe one day, I’ll discover a connection to Maynard’s studio. But even if I don’t, I know one thing for sure:
Her story—just like our own family histories—deserves to be remembered.


Want to Learn More?

Emily’s Strength, Our Strength – Warrior Up with Art

 Reading about Emily Carr, I feel an overwhelming connection to her struggles. She faced immense obstacles—what happened between her and her father is shrouded in mystery, but abuse seems likely. Rejected by her mother and sisters, she was cast out, not just for her art but for refusing to conform. Marriage was the expected path, yet she chose another, one that forced her to survive on her own terms—a feat that must have felt impossible then, just as it does now.

Art wasn’t saleable in her time, just as many of us struggle to sell ours today. Oh, hers is now—commodified, celebrated—but in her lifetime, she endured rejection after rejection. And yet, she persisted.

Emily lived in the same town as my great-great-grandparents, buried in the same graveyard. My Songhees great-great-grandmother must have faced unfathomable challenges. My great-grandfather’s diary hints at the hardships he endured—but for her, an Indigenous woman in a colonial world, the struggle must have been heartbreaking. And it’s still happening. The patriarchy still rules, still tries to force us into submission. Yet we are POWERFUL. We give birth, create life, nurture life, and still, so many women face homelessness, poverty, and exile for refusing to bow to male dominance.

Emily survived. My great-great-grandmother, though she only lived to 50, raised and imprinted a strong son. Because of them, I am here. Because of them, I must fight.

We are entering a time of great uncertainty—where men like Trump, Musk, and others are openly discussing the annexation of Canada, the erasure of our autonomy. Emily lived through two world wars and the Great Depression. My mother survived the Great Depression and WWII. Now, we must draw on that same strength. We will be called eccentric, crazy, hysterical—but so was Emily. And still, she painted.

Now more than ever, we must fight back with art. We must warrior up with art. This is the battle of our lives, and we must spread the message in every way we can. Smash the patriarchy. Restore balance. Like the Iroquois Confederacy once did, like Helen Reddy sang—

I am Woman. Hear me ROAR.

Mary Cassatt and Emily Carr

  Mary Cassatt and Emily Carr: Two Women Who Painted Their Own Way I recently came across the story of Mary Cassatt, an American Impression...